Penguin Modern Classics (2024)

'My mother died today. Or maybe yesterday, I don't know.'

A stranger to society, a stranger to his own life, Meursault seems indifferent to everything. In The Outsider, Camus explores the alienation of an individual who refuses to conform to social norms. When his mother dies, he refuses to show his emotions simply to satisfy the expectations of others. And when he commits a random act of violence on a sun-drenched beach near Algiers, his lack of remorse compounds his guilt in the eyes of society and the law. Yet he is as much a victim as a criminal.

A first in Penguin Modern Classics, Camus’ classic existentialist novel is told through Ryota Kurumado’s powerful artwork. Unlike previous editions of Camus’ novel, Meursault and other characters’ emotions are drawn out through stunning illustrations and seen for the first time. A rare and challenging feat, Kurumado’s manga adaptation makes a novel first published in 1942 feel contemporary.

Published for the centenary of his birth, a gathering of lucid, intensely lyrical poetry from one of the twentieth century’s pre-eminent literary voices

be courageous when reason fails you be courageous
in the final reckoning it is the only thing that counts

Zbigniew Herbert was one of the best-known and most-translated poets of post-war Poland, opposed alike to Communism, Fascism, nationalism and the Church, yet moved, throughout his work, by ‘a powerful sense of right and wrong without a corresponding belief in a system’ (New York Times).

His is a poetry of compression, lucidity and profound humanity. The universe he conjures is deeply informed not only by his own time, but by history – by that of the Medieval Mediterranean and Central Europe, as much as of the Classical world – and by a taste for historical and philosophical paradox. In the early and middle works, the figure of the trickster never seems far from view. Throughout, Herbert asks questions about the nature and needs of sentient beings. His desire, always, is to ‘touch the essence’: to get to the heart of life.

Selected with an introduction and afterword by J. M. Coetzee and Alissa Valles, this outstanding gathering from the full range of Herbert’s poetic output invites readers to experience the beauty and profundity of a remarkable body of work.

'A masterpiece ... the greatest novel of the Holocaust' The Guardian

Badenheim, a resort town near the forests of Vienna, is preparing for the arts festival of the summer season. The hotel workers and local tradespeople rush to prepare the small town for the influx of vacationers. But just as the season is getting into full swing, a small note appears on a municipal notice board: the Sanitation Department is announcing an increase in its jurisdiction. No one knows what the Sanitation Department is, but no matter – the festival carries on.

Soon inspectors are spread all over town, bringing estrangement, suspicion and mistrust wherever they go. Meanwhile, the guests carry on pursuing their pleasures and the townspeople attend to their troubles. Then another announcement appears: all Jews must register with the Sanitation Department.

An allegory, satire and fable all in one, Badenheim 1939 is a story of denial and normalisation, masterfully creating an atmosphere of impending dread and horror. Gripping and unforgettable, this is one of most intriguing and eerie books ever written about the Holocaust.

The teenage Katerina flees her abusive home in a poor, Christian village in the 1880s, finding work and shelter in the home of a Jewish family, and in the warmth of their family life and beauty of their Jewish rituals she begins to know safety for the first time. Their life is brutally disrupted when a pogrom is wrought upon the family, and Katerina finds herself alone again. Decades later, having suffered and retaliated for that suffering, she looks out of the window of her prison cell and sees the trains carrying Jews across Europe.

Released from prison into the chaos following the end of World War II, a now elderly Katerina is devastated to find a world that has been emptied of its Jews and that is not at all sorry to see them gone. Ever the outsider, Katerina realizes that she has survived only to bear witness to the fact that they had ever existed at all.

A rare glimpse into Jewish and gentile life in Eastern Europe in the nineteenth century, Katerina explores the long origins of the Holocaust, alongside darkness and light, cruelty and mercy.

Aharon Appelfeld was the beloved only child of middle-class Jewish parents living in what is now Ukraine at the outbreak of World War Two. Their peaceful life is upended when soldiers invade their town. His mother is shot dead in her own garden. The then-seven-year-old Aharon does not witness her murder, but he does hear her scream.

Aharon and his father are sent to a concentration camp and separated. Memory and trauma combine to create a patchwork of reminiscences. Aharon is ten years old when he escapes from the camp into the forests of Ukraine, and is overwhelmed by the sight of an apple tree laden with fruit.

Living off the land for two years before making the long journey south to Italy and eventually Israel and freedom, Appelfeld finally found a home in which he could make a life for himself, eventually becoming one of Israel’s most acclaimed writers. This is the extraordinary and painful memoir of his childhood and youth and a compelling account of a boy coming of age in a hostile world.

‘If one could make a people lose touch with their capacity to create, lose sight of their will and their power to make art, then the work of subjugation, of colonization, is complete. Such work can be undone only by acts of reclamation.’

In a collection of essays, critiques and interviews, bell hooks responds to the ongoing dialogues about producing, exhibiting and criticising art and aesthetics in a world increasingly concerned with identity politics. hooks shares her own experience of the transformative power of art whilst exploring topics ranging from art in education and the home to the politics of space and imagination as a revolutionary tool. She positions her writings on visual politics within the ever-present question of how art can be empowering within the Black community.

Speaking with artists such as Carrie Mae Weems and Alison Saar, and examining the work of Jean-Michel Basquiat and Felix Gonzalez-Torres, Art on My Mind is a generous and expansive body of work that has become increasingly relevant since it was first published in 1995. Here is an essential tool for understanding the contemporary moment, and a fundamental text for any reader concerned with making and sustaining a democratic artistic culture.

After ten long years spent away from Dublin, Richard, Bertha and their young illegitimate son Archie are back home. Despite expectations of comfort and domesticity, the couple's return to the place where they first met triggers an existential questioning, an anxiousness which is exacerbated by meetings with old friends and lovers.

James Joyce's only surviving play, Exiles builds upon one of his most famous short stories, 'The Dead', to provide a profound exploration of jealousy, doubt and the complexity of human desire.